The New York Times is getting all trendy on our (small) asses. I don't know if I am more excited about seeing a resurgence of patten leather all over the place, or seeing that even women who have Lincolns waiting for them cannot escape the wrath of old man winter (and what a bloody bastard he is!).
A bold sculptural silhouette cut from black shearling, a coat suggesting the line of a Degas ballerina, was worn for New York Fashion Week by Carine Roitfeld, the editor of French Vogue. It was designed by the Paris couturier Azzedine Alaïa,
who ranks among the great architects of fashion. The coat’s leather side has a shimmering patent finish. The inside is dyed blackshearling. Ms. Roitfeld accented the coat with black tights and platform ankle boots.There were thousands of superbly dressed women attending the designer collections,
but only Ms.Roitfeld looked like the future.
Yeah yeah yeah...this is a nice couture coat. We see this... So aside that Ms. Carine was the best dressed (and God knows what beauty lies underneath that coat), just exactly what do you think will happen with this coat when she's done with it?
Will it go back in "The Closet"? is it on loan? Lets get to the story behind that coat.
Thats what I really want to know.
[Source]
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